Education about human rights
Knowledge of principles, instruments and institutions — the explicit "about" that orients a group to the law, the language and the architecture behind a claim.
Human rights are the equal entitlements of every person — civil, political, economic, social and cultural — recognised in international law and owed to everyone, without discrimination.
They are not granted by a state, a foundation, or a facilitator. They cannot be withdrawn by a vote. They begin with the simple claim that every human being has dignity — and that dignity has consequences in how a room is run.
Dignity is not granted by a facilitator and cannot be withdrawn by a group vote.
Three directions of human rights education
Human rights education is not a single activity. It moves in three directions at once.
Knowledge of principles, instruments and institutions — the explicit "about" that orients a group to the law, the language and the architecture behind a claim.
The way the room itself is run. Participation, inclusion, respect, access — practised in the structure of the workshop, not only described in the slides.
The capacity to defend rights — including other people's. A room that leaves a participant better able to act, with or without us in it.
The clusters below are the rights our work moves through. Tap any tile to see how we practise it — the method we use and the instrument it draws on.
Our practice lineage
We do not own these instruments. We operationalise them in rooms.
Frameworks we work within
These are the instruments we draw on. Expand a group to see the plain-language reading — not the full legal register. The complete legal architecture, with binding/non-binding status and any updates, lives in our downloadable HRE Framework (PDF).
The full legal architecture — including the legal status of each instrument — is in our downloadable Human Rights Education Framework (PDF), reviewed to a legal standard for our board.
Insights & Policy
Short, evidence-based notes — each one tied to a real EU or UN policy moment, showing how theatre-based human rights education operationalises the point.
An annual reading of where young people are, and are not, present in EU and Council of Europe youth policy — measured through their actual appearance in our rooms.
A municipal-scale companion to the global report: each edition rooted in one city, told through Forum Theatre scenes produced with local young people.
A facilitation tool that lets a youth worker run a rights impact check on their own programme — using theatre prompts, not paperwork.
An annual public reading of how today's decisions hold up against tomorrow's rights — anchored in our UNESCO and Our Common Agenda work.
Every CWM facilitation method page now names the rights cluster it practises and the instruments it draws on. No method without a rights anchor.
A standing role, named publicly on every report we publish, with a young person as a co-author of the framing — not a token paragraph.
Who the work is with